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中華文化 | 物色 Physical Features

發(fā)布日期:2023-11-24??來源:中華思想文化術語??作者:《中華思想文化術語》編委會??瀏覽次數:3572
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核心提示:物色Physical Features泛指各種自然事物的形貌?!拔锷北玖x為牲畜的毛色,引申指物體的顏色,進而指景物、景色。南朝劉勰在《文心雕龍·物色》中專門對自然景物與文學創(chuàng)作的關系進行了討論。他認為“情以物遷,辭以情發(fā)”,自然景物作為審美對象能夠引發(fā)人們的創(chuàng)作沖動,從而發(fā)為文章。優(yōu)秀的文學作品,既要做到“寫氣圖貌,既隨物以宛轉”,細膩描摹景物;也

物色

Physical Features

泛指各種自然事物的形貌?!拔锷北玖x為牲畜的毛色,引申指物體的顏色,進而指景物、景色。南朝劉勰在《文心雕龍·物色》中專門對自然景物與文學創(chuàng)作的關系進行了討論。他認為“情以物遷,辭以情發(fā)”,自然景物作為審美對象能夠引發(fā)人們的創(chuàng)作沖動,從而發(fā)為文章。優(yōu)秀的文學作品,既要做到“寫氣圖貌,既隨物以宛轉”,細膩描摹景物;也要“屬采附聲,亦與心而徘徊”,情景交融?!墩衙魑倪x》中賦類有“物色”一目,專門收錄寫景出眾的作品。

This term refers broadly to the appearances and patterns of everything in nature. It was originally used to describe the colors of animal furs; later it became associated with the colors of all physical objects, such as the splendor of scenery and landscape. Liu Xie of the Southern Dynasties discussed at some length the relationship between natural features and literary creation in his book The Literary Mind and the Carving of Dragons. In his view, "Literary writing is created only when the writer's innermost emotion is stirred up by external things." That is, as objects of aesthetic appreciation, natural features can inspire one to turn his emotions into words. A fine piece of literary work should "reveal the vital energy and essence of external things with vivid detail." At the same time, "such work should also create sights and sounds to match the writer's emotions." It should fuse emotions and scenery into one. This type of writing can be found in the "Rhapsodic Prose" section of Selections of Refined Literature Compiled by Prince Zhaoming, which has vivid accounts of scenery and landscape.

引例 Citations:

◎春秋代序,陰陽慘舒;物色之動,心亦搖焉。(劉勰《文心雕龍·物色》)

四季不斷交替,陰冷的天氣使人沉郁而溫暖的陽光使人感到舒暢;自然景物不斷變化,也使得人的心情隨之波動。

Seasons change. Cold weather makes people feel depressed, whereas warm sunshine makes them happy and relaxed. Natural scenery and objects change with time, causing change in one's mood. (Liu Xie: The Literary Mind and the Carving of Dragons)

◎物色延暮思,霜露逼朝榮。(鮑照《秋日示休上人》)

黃昏的景色使人愁思綿長,秋天的霜露讓清晨的花草感到寒意逼近。

The scenery at dusk makes one feel downhearted. The frost and dew of early autumn morning chill flowers and grass, signaling the advent of winter. (Bao Zhao: An Ode to Autumn Written in Tribute to My Revered Buddhist Friend Huixiu)

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供稿:北京外國語大學 外語教學與研究出版社

責任編輯:錢耐安

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